|One of the highlights of the exhibition is from Singapore artist Georgette Chen. Landscape, 1930s, oil on canvas, is from the Collection of Centre Pompidou, Paris, MNAM-CCI © Dr Lee Seng Gee Photo: © Centre Pompidou, MNAMCCI/Jim Purcell/Dist. RMN-GP.|
According to the National Gallery Singapore, this will also be the first time that an exhibition displays significant Southeast Asian and European artists in parallel through its study of one of the most influential artistic and intellectual drives of the 20th century – modernism – from the perspective of Southeast Asia.
Reframing Modernism challenges the existing paradigm of how modernist painting is presented. It brings to light previously unexplored perspectives which enrich the overall discourse. Taking a comparative approach, the exhibition reveals shared concerns between the artists and their bodies of work to create a different narrative of modernism. The unprecedented presentation includes works by Southeast Asian artists such as Le Pho (Vietnam), Nguyen Gia Tri (Vietnam), S Sudjojono (Indonesia), Affandi (Indonesia), Latiff Mohidin (Malaysia), Galo B Ocampo (Philippines), Georgette Chen (Singapore) and Tang Chang (Thailand), as well as European masters Vassily Kandinsky, Fernand Léger, Marc Chagall, Jean Dubuffet, Pablo Picasso and Henri Matisse.
“We are pleased to work with Centre Pompidou to develop this exhibition which reexamines the paradigm of Modernism. This is the first time in Singapore that visitors can view artworks from European and Southeast Asian masters in the same space. We hope the exhibition will inspire fresh and interesting perspectives of the received understanding of modernism and modern art,” said Dr Eugene Tan, Director at National Gallery Singapore. “Along with the Gallery’s long-term exhibitions, Reframing Modernism will reinforce our aim to further the understanding of modern art from Singapore and Southeast Asia within a global context,” he added.
Reframing Modernism is co-curated by Dr Tan, Senior Curator Lisa Horikawa and Curator Dr Phoebe Scott of the National Gallery Singapore, together with the Deputy Director of Centre Pompidou’s National Museum of Modern Art – Industrial Design Centre, Catherine David and Curator Dr Nicolas Liucci-Goutnikov.
“Reframing Modernism testifies to the Centre Pompidou’s international reach and its pursuit of collaborations with prestigious partner institutions around the globe. Our collaboration with National Gallery Singapore on this unique project has been a most fruitful one and this co-curated exhibition is an excellent opportunity for us to learn more about modern Southeast Asian art and how modernism was perceived in this part of the world. The collaboration also gives art lovers in Singapore and Asia the opportunity to view major artworks from the Centre Pompidou, which houses one of the world’s two largest modern and contemporary art collections,” said Serge Lasvignes, President of the Centre Pompidou.
Reframing Modernism is showcased in the Singtel Special Exhibitions Gallery, which consists of three galleries, spanning across a total floor area of approximately 20,000 sq ft. Chua Sock Koong, Singtel Group CEO said, “We are excited that our contribution to National Gallery Singapore will enable Singaporeans to enjoy both iconic masterpieces from around the world alongside equally accomplished Southeast Asian art that we are proud to champion. We congratulate National Gallery Singapore and Centre Pompidou on their first-ever collaboration. Art is for everyone and we hope this will reach as many people as possible.”
Reframing Modernism will run from 31 March until 17 July 2016 at the Singtel Special Exhibition Gallery, located on level 3 of the City Hall Wing at the National Gallery Singapore. Admission into Reframing Modernism is chargeable at S$15 and S$25 for Singaporeans and non-Singaporeans respectively. Concessions apply.
The exhibition will open from 10am to 7pm from Monday to Thursday, and Sunday and public holidays, from 10am to 10pm from Friday to Saturday, and the eves of public holidays.