Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

14 November 2025

2025 entries for UNESCO's Memory of the World Register

Source: Government of Thailand Facebook page Three Thai heritage items joined the Memory of the World Register in 2025. Collage of three document collections..
Source: Government of Thailand Facebook page
Three Thai heritage items joined the
Memory of the World Register in 2025.

Established in 1992, UNESCO's Memory of the World Programme aims to promote the preservation of – and universal access to – the documentary heritage of humanity. Often extremely fragile, this heritage is exposed to risks of deterioration and disasters.

The programme aims to: 

- Facilitate preservation of the world's documentary heritage, particularly in areas affected by conflict and/or natural disaster 

- Enable universal access to documentary heritage worldwide

- Enhance public awareness about the significance of documentary heritage among the wider public 

UNESCO shares best practices, and maintains the Memory of the World Register to record the broadest threads of human history. Each entry in the register has been recommended by the International Advisory Committee and approved by the Executive Board as significant to the world.

The collections include books, manuscripts, maps, photographs, sound or video recordings. Seventy-four entries were added in April 2025, bringing the total number of inscribed collections to 570. The entries, from 72 countries and four international organisations, cover topics such as the scientific revolution, women's contribution to history and major multilateralism milestones. 

Among the newly inscribed collections are Asia-Pacific archives concerning prominent historical women—still largely underrepresented on the register—such as girls' education pioneer Raden Ajeng Kartini (Indonesia and the Netherlands), and author Katherine Mansfield (New Zealand).

In addition to the International Register, UNESCO has supported the creation of four regional registers and National Memory of the World Committees in more than 100 countries.

2025 entries from the APME region include:

Archives of the expedition of d’Entrecasteaux (1791-1794)
Submitters: Australia and France

The d'Entrecasteaux expedition, a voyage of scientific exploration around the world, explored Tasmania and the coasts of Australia, New Caledonia (France), Tonga, Papua New Guinea and many Pacific islands. The archives consist of 58 boxes and registers including correspondence, logbooks, drawings, plans, maps and coastal surveys, totalling around 27,000 pages. 

The highlight of this voyage was the establishment of one of the first contacts between Europeans and Tasmanian Aborigines (Palawa de Lutruwita), offering a unique example of a cross-cultural encounter. The logbooks contain accounts of these contacts as well as Franco-Palawa vocabularies. 

Cuneiform inscriptions of Dilmun Kings on stone vessels (c. 1700 BCE)
Submitter: Bahrain

The four fragments from stone vessels bear cuneiform inscriptions that authenticate the reign of Dilmun kings, who ruled Bahrain islands and neighbouring territories from around 2250 to 1650 BCE. These inscriptions represent the southernmost use of cuneiform writing in the ancient Near East. 

The nominated items bear the names of two kings: Yaglī-‘el and his father Ri'mum. The linguistic roots of these names point to a West Semitic Amorite origin. The cuneiform texts document what was once a largely mythical kingdom of legend and confirms Bahrain as a major player of international trade, strategically located between Babylonia and the Indus Valley.

The Suizhou Bianzhong of Marquis Yi of Zeng
Submitter: China 

The bianzhong are a set of Chinese bronze bells that were discovered in the tombs of Marquis Yi of Zeng in 1978, in Suizhou City, Hubei Province. The bells date back 2,400 years, making them the largest and most well-preserved set of bronze bells in the world. 

The set bears inscriptions totalling 3,755 characters, representing the only known musical theory documents of the 5th century BCE with such a scale. The set showcases a ‘one bell with two tones’ system, a 12-tone musical temperament and tuning system that was previously unknown. 

The inscriptions and musical information represent the earliest surviving archaeological documents that demonstrate the mathematical relationships in music. 

The Steles of Shaolin Temple (566-1990) 
Submitter: China 

Shaolin Temple, established in 495 AD, is known as the ancestral home of Chinese Buddhism's Chan sect, an ancient royal temple, and one of the birthplaces of Chinese martial arts. The 499 surviving steles present a relatively complete and coherent sequence of historical documents in the form of stone inscriptions dating back to 1424. 

These inscriptions serve as original records created in the process of extensive interactions between Shaolin Temple and national political powers, famous intellectuals, secular society, and overseas monks throughout various Chinese dynasties. The inscriptions cover various aspects such as politics, economy, religion, taxes and corvée, military affairs, culture, and natural landscapes. 

The Shaolin Temple steles exemplify the ingenious integration of stone carving artistry with preserved texts. 

Trilingual Inscription (TribhashaSellipiya) 
Submitters: China and Sri Lanka

The Trilingual Inscription is a stone tablet with Chinese, Persian and Tamil inscriptions praising Buddha, the Hindu god Vishnu and Allah. Dated 15th February 1409, the tablet was installed by the Chinese Admiral Zheng He. Originally inscribed in the Treasure Boat Shipyard Park in Nanjing, it was brought to Sri Lanka during his third voyage. 

The text mentions offerings made to a sacred mountain shrine. This is the only trilingual inscription having texts in Chinese, Tamil and Persian which represent three different regions and cultures. 

Discovered in 1911 in Sri Lanka by a British engineer, it is now preserved in the Colombo National Museum, with a replica exhibited in the Galle National Museum. 

Manuscript of the Nāṭyaśāstra of Bharatamuni: A Seminal text of Indian Performing Art 
Submitter: India 

Preserved at the Bhandarkar Oriental Research Institute and codified around the 2nd century BC, the Nāṭyaśāstra of Bharatamuni is an epitome of the Nāṭyaveda, an oral body of knowledge of performing art containing 36,000 verses known as the Gāndharvaveda. 

The Nāṭyaśāstra embodies a comprehensive set of rules that define nāṭya (drama), abhinaya (performance), rasa (aesthetic experience), bhāva (emotion), saṅgīta (music), among others, thus articulating the character of Indian theatre, poetics, aesthetics, dance and music. 

Bharatamuni makes a groundbreaking statement in Nāṭyaśāstra, asserting that ‘no meaning can blossom forth without rasa’, a profound contribution to world literature. 

Manuscript Collection of Bhagavadgītā: Ancient Saṁgraha-grantha of Indian thought with World-wide Readership and Influence 
Submitter: India 

The Bhagavadgītā, containing 700 verses in 18 chapters, is embedded within the Bhīṣmaparva (adhyāya 23-40) of the epic Mahābhārata. It takes the form of a dialogue between Kṛṣṇa and Arjuna with armies lined up for the great war intended to free Arjuna of dejection (viṣāda). 

Bhagavadgītā is a central text in the continuous, cumulative ancient intellectual Indian tradition, synthesising various thought movements such as Vedic, Buddhist, Jain and Cārvāka. Due to its philosophical breadth and depth, the Bhagavadgītā has been read for centuries across the globe and translated into many languages. 

Archives of Javanese Dance: Mangkunegaran Dance Arts, 1861-1944 
Submitter: Indonesia

These archives document choreography, musical notes, and performances of the traditional Mangkunegaran dance, which was created by Mangkunegara IV and passed down through Mangkunegara VII (1861-1944). 

The collection consists of 1,595 sheets of textual documents and 640 photographs. Serving as the basic reference for the development of traditional classical dance for present and future generations, the archives not only a testament to the legitimacy of Indonesia’s original art but also preserve the cultural heritage of an ethnic group. 

The Sang Hyang Siksa Kandang Karesian Manuscript 
Submitter: Indonesia

The Sang Hyang Siksa Kandang Karesian manuscript (SSKK) is a 16th-century Sundanese manuscript currently stored in the National Library of Indonesia. Written on a rare material – gebang (Corypha gebanga) leaf, it is one of only 30 such manuscripts remaining in Indonesia. 

Dated to the year 1440 Saka, or 1518 CE, the SSKK is written using Old West Javanese quadratic script in the Old Sundanese language, an extinct archaic predecessor to Modern Sundanese. 

The SSKK contains guidelines and moral teachings that reflect customary law in the 16th century, revealing the rich culture of the Sundanese people at that time and shedding light on political trade relations between Sunda and various countries in Asia. 

The Works of Hamzah Fansuri
Submitters: Indonesia and Malaysia

Hamzah Fansuri contributed greatly to Malay culture and intellectual thought during the 16th century, marking the beginning of the Malay spiritual revolution. He initiated the genre of kitab, systematic academic writing in Malay. He was the first to lay the foundations of scholarly debate in the language, using it in poetry and prose. 

His work in the form of poetry (syair) became popular in the Archipelago, greatly influencing the development of Malay literature and laying the groundwork for modern Indonesian and Malaysian literature. Hamzah Fansuri, through his prose and poetry, spread Sufi teachings, particularly the concept of wujudiyah (unity of existence), leading to the burning of his books due to their controversial content. 

This manuscript was donated to the Bataviaasch Genootschap van Kunsten en Wetenschappen (Royal Batavian Society of Arts and Sciences) in 1875 by H. van Dissel, former Secretary General of VAN SWIETEN. It was originally found in the Sultan's residence immediately after the conquest of the palace in Aceh. 

The Birth of the Association of Southeast Asia Nations (ASEAN) (Archives about the Formation ASEAN, 1967 – 1976) 
Submitters: Indonesia, Malaysia, Singapore and Thailand

The archives record the establishment of the Association of Southeast Asia Nations (ASEAN) by its five founding countries: Indonesia, Malaysia, the Philippines, Singapore, and Thailand. This collection includes the 1967 ASEAN Declaration and related records, comprising 16 textual files, one photo, one film, three audio files and 12 oral history interview recordings. 

The archives describe ASEAN’s foundational mission to turn neighbours into cordial friends and build mutual trust where there were once trust deficits. Furthermore, the archives provide evidence that newly-independent, relatively small countries have their own agency in shaping international politics toward a more peaceful and stable landscape. 

The archives serve as a basic reference for ASEAN’s diplomacy, which later became known as the ASEAN Way. 

Kartini Letters and Archive: the struggle for gender equality
Submitters: Indonesia and the Netherlands (Kingdom of the)

These documents form an integral basis for understanding the life and ideas of Raden Ajeng Kartini (1879-1904). Kartini's letters, which are kept in Dutch institutions, serve as the source of her ideas, while their impact of on education, emancipation and the struggle for gender equality is reflected in the Kartini archive in Indonesia. 

Kartini continues to be a major source of inspiration in Indonesian and global discussions on education, feminism, and gender equality.

Collection of documents from Mount Mugh 
Submitters: International Institute for Central Asian Studies (IICAS) and International Center for Documentary Heritage (ICDH) under the auspices of UNESCO

The Sogdian documents from Mount Mugh are the keystone for understanding the history, social and economic life, customs and ethnic diversity of Central Asia during the transition from the pre-Islamic into Islamic period in the early 8th century CE. 

The documents show the life of Dewashtich, the ruler of Penjikent principality, until his defeat by Arab forces in 722. Everyday business records, letters, contracts, diplomatic exchange and spy reports are included in the collection. 

The ethnic diversity of Sogdiana is reflected in Arabic, Chinese and Old Turkic texts found in the collection, while the role of women in the society is documented by a marriage contract.

Three Editions of Buddhist Sacred Canons stored at Zojoji, Japan
Submitter: Japan

The spread of Buddhism from South Asia to China led to centuries of scriptural translation, resulting in a Chinese-language canon totalling over 5,000 fascicles. The Three Editions represent three separate endeavours to print complete collections of these scriptures in China and Korea during the 12th and 13th centuries. 

Some 12,000 volumes of this material have been preserved in near-perfect condition. In the modern era, Japan has printed two critical editions of the Mahayana Buddhist canon based on these references. 

As the first scholarly publications of the Chinese-language Buddhist canon using movable type, they have enabled widespread access to this literature throughout East Asia, contributing to the preservation of Buddhism itself. The content has recently been digitised.

Manuscript Chronicle of Khans
Submitter: Kazakhstan

Chronicle of Khans stands as a vital piece of cultural heritage, shedding light on the original history of the Kazakh people. The manuscript is a genealogical work composed in the Chagatai dialect of the Turkic language spanning from Adam to the Prophet Muhammad, and encompassing the histories of rulers from Turkic-Mongolian, Persian, and Arab eras. 

Analyses suggest that the manuscript dates to the 18th century. 

The Ikaros Inscription
Submitter: Kuwait

The Ikaros Inscription is a Hellenistic limestone stela excavated in 1960 on Failaka Island in the State of Kuwait. The inscription contains 44 lines of Greek carvings, which translate to a letter to ‘the inhabitants of Ikaros’, containing administrative, religious, social, and economic orders. Scholars believe it to be dated between 246 and 226 BC. 

Measuring approximately 0.62 m in width and 1.26 m in length, it is displayed at the Kuwait National Museum. 

The Ikaros Inscription is the only complete letter on a stela discovered in Kuwait and the surrounding region. It is notable for being the first instance of the name ‘Ikaros’ being applied to the island, and it also includes references to the names and dates of Seleucid rulers and their administrators.

Inscription of Khüis Tolgoi 1
Submitter: Mongolia

The inscription is a rock engraving written in the ancient Mongolian language using the Brahmi script. Created in the Mongolian heartland over 1,400 years ago, it is an important source for studying the grammatical structure and lexicon of ancient Mongolian language. 

The scripture also provides insights into the spiritual beliefs of the nomadic people that inhabited the Mongolian steppes. It supports claims that the tribal confederations and nomadic empires practised Buddhism before the rise of the Mongol Empire of Chinggis Khan. 

Deger-e-eče toɣtoɣsan dürsü-yin tusbür-yig bürüdkegsen bičig (A Complete Record of the Body by Imperial Order)
Submitter: Mongolia

The manuscripts provide information on Western and “traditional” Eastern medicine from the mid-18th century. The texts serve as textbooks detailing the structure of the human body and the research of doctors in ancient Mongolian medical schools. 

Written in the ancient Mongolian script, the manuscripts contain a range of medical terms originating from Europe, translated into Mongolian, demonstrating the extensive cultural and knowledge exchange between the regions. 

The collection is one of the earliest forms of medical literature found in Mongolia that reflects both the unique characteristics of European and Eastern approaches to medicine. 

The nomination includes nine parts: the Mongolian translated parts / books 2, 3 and 4 from Volume 1, Parts 1-2 from Volume 2, and a handwritten copy of Volume 1 containing four parts.

Katherine Mansfield literary and personal papers and belongings
Submitter: New Zealand

Katherine Mansfield (the pseudonym of Kathleen Beauchamp, 1888-1923) is New Zealand's most celebrated writer internationally, and one of the world's foremost modernist writers. 

Known for her poetry, reviews and work as an editor for some of London's avant-garde literary journals, Manfield is most renowned for her short stories. She gained international reputation for her reinvention of the modern short story form in English. 

The Mansfield collections include original correspondence, notebooks and journals, personal belongings, including her typewriter and Maori artefacts. They document the writer's artistic preoccupations, development, and methods, as well as her complex personal life. The papers held at the Alexander Turnbull Library represent the largest collection of Mansfield material in the world. 

A’nuwniah Al kubra (An important Omani marine navigation manuscript)
Submitter: Oman

A’nuwniah Al kubra is one of the most important Omani manuscripts in the field of navigation and marine sciences. It records valuable information about ship movements and international shipping routes. Its most significant feature is its scientific contribution to humanity, particularly its deviation from the work of earlier geographers. 

Scientists who preceded Ahmed bin Majid had divided the land into only seven regions, confining these regions to the northern hemisphere. A’nuwniah Al kubra added seven more regions in the south. 

The manuscript offers realistic depictions of the societies the author and his navigational crew encountered during their journeys. It also provides detailed descriptions of the marine environment, its creatures, including creatures such as whales, snakes, and coral reefs, as well as the methods used for docking ships.

Revealing Truth: Jeju 4·3 Archives
Submitter: the Republic of Korea.

The archives consist of 14,673 documents related to Jeju 4·3, an armed uprising led by the Jeju branch of South Korean Labor Party on 3 April, 1948. This event escalated into guerrilla warfare, resulting in atrocities inflicted upon innocent inhabitants. 

These archives preserve suppressed memories of Korea’s post-colonial transition, highlighting endeavours to rehabilitate the honour of victims who had long suffered the stigma associated with communism. The archives also focus on collective efforts to embrace those who had once been perpetrators, fostering a vision of Jeju as a community of coexistence. 

Korea Reforestation Archives: A reforestation model achieved through public-private governance
Submitter: the Republic of Korea

The archives document reforestation projects spearheaded by the Republic of Korea to restore devastated forests. Comprising 9,619 documents – including government gazettes, decrees, official documents, brochures, and photographs, the archives provide insights into policies and programs that address issues such as climate change, soil erosion, and forest ecosystem restoration. 

The Forestry Act in 1961 and the First Ten-Year Forest Rehabilitation Plan in 1973 were pivotal in these efforts, providing various incentives to encourage public participation. Recognised as successful examples of public-private governance in reforestation, the materials contained in the archives are widely used in international training programmes for forest officials in developing countries and forest-oriented Official Development Assistance (ODA) initiatives.

Documents connected with the Pānadurā Vādaya (The Great Debate of Panadura) in 1873
Submitter: Sri Lanka

This transcription spans 27 and a half page of handwritten text on paper using ink. The four documents, kept at the Rankot Viharaya Buddhist temple in Panadura, were created against the backdrop of religious discord between Buddhists and Christians in mid-19th century. They consist of correspondence between the Christian and Buddhist leaders advocating for an open dialogue on doctrinal issues, as well as a transcription of the entire dialogue. 

The event fostered reconciliation and mutual respect between the two religious communities. The English translations, later made available in Europe and the US, had a significant impact on religious activists and scholars in those countries, contributing to the recognition of Buddhism as an advanced religion.

The manuscript of Nanthopananthasut Kamlaung (22 July, 1736)
Submitter: Thailand

This 18th-century, 190-page khoi-paper manuscript contains translated and embellished Buddhist literature depicting the Buddha taming the mythical serpent Nanthopanantha-naga. Khoi paper is made from the khoi tree, Streblus asper.

The manuscript showcases a complex literary form and style, timeless moral values, and a sophisticated multilingual manuscript tradition. It reflects Ayutthaya’s centuries-long cultural interchanges in Buddhism, translation, multilingual literacy, and manuscript culture. 

Transcribed and published to promote wider readership and accessibility and to ensure its proper preservation, the manuscript has inspired studies in palaeography, literature, history, contemporary arts, and international Buddhist relations. 

The manuscript enjoys spiritual support from Buddhist communities worldwide. Its epigraphs, sung by international Buddhist communities and musicians during recent global calamities, convey universal messages of auspiciousness, tolerance and peace. 

The King of the White Elephant and archival documents
Submitter: Thailand

The King of the White Elephant is a Thai 35 mm black-and-white feature film produced in 1940, adapted from an eponymous English-language novel. The film skilfully combines traditional Thai performances with Western cinematic language. 

Emerging at the onset of World War II, the film stands as a testament to peace and diplomacy, promoting a message of harmony. From an archival standpoint, it is the only surviving Thai film from the pre-World War II era. It is also the first Thai film presented in English language, reflecting the filmmaker's intent for international distribution. 

Karatepe-Aslantaş Inscriptions
Submitter: Türkiye

Written around 2,800 years ago, the Karatepe-Aslantaş Inscriptions from the city of Karatepe in ancient Cilicia are a pioneering example of res gestae, a showcase of a ruler's achievements. They contain one of the earliest-known long texts in Semitic Phoenicia and the local Luwian language, both contributing to the development of modern alphabets. 

The inscriptions offer a unique insight into the sociopolitical landscape of the Iron Age Eastern Mediterranean. King Azatiwatas’ fortifications, detailed in the inscriptions, promoted economic and political peace, while fostering an environment in which women played an active role in society. The emotional connection between the local population and the Karatepe site further emphasises its cultural significance.

Camiu't Tevarih/Jāmiʿ al-Tawārīkh
Submitters: Türkiye and Uzbekistan

Câmiu't-Tevârîh, written by Resîdüddîn Fazlullah-i Hemedânî, is the first work to document the history of various tribes and nations across Asia and Europe, as well as the states established in these continents. Its significance lies in its impartial perspective, as it was prepared by a committee consisting of two Chinese, a Buddhist monk, a Mongol and a Christian priest. 

Câmiu't-Tevârîh presents insights that were groundbreaking both for its era and later periods. The manuscript is unique in terms of its content and the accuracy of the information included, much of which as was gathered from hard-to-access sources through the use of state facilities. 

The two oldest manuscripts of Câmiu't-Tevârîh are kept in the Istanbul Topkapi Palace Library, Türkiye (H.1653 and H.1654). Another manuscript is in Uzbekistan (No. 1620).

Composer Hoàng Vân Collection 
Submitter: Vietnam

Hoàng Vân (birth name Lê Văn Ngọ, 1930-2018) was a composer at a pivotal moment in the history of Vietnamese music. The collection, spanning over 700 musical works from 1951 to 2010, is notable for its diversity of materials, musical forms, and genres.

Hoàng Vân's works express a singular relationship between his compositions and Vietnam’s cultural and social history, particularly the fate of women and underprivileged classes, in post-colonial and Cold War contexts. The collection also exemplifies the symbiosis of European and Asian musical traditions.

UNESCO also assists countries in developing safeguarding policies, provides training and funding to memory institutions for the digitisation of their collections, and works with educational bodies to integrate these essential elements of our past into school curricula, ensuring their transmission to future generations. 

28 April 2025

A showcase of Korea's best in travel, culture and lifestyle in Singapore

Source: KTO. Girl at a high vantage point in autumn with a pavilion nearby. Gyeongsangnam-do view.
Source: KTO. Gyeongsangnam-do view.

The Korea Tourism Organization (KTO) is presenting Korea Travel Fair 2025: Your Gateway to K-Culture in Singapore this May. This year’s edition also commemorates the 50th anniversary of diplomatic relations between Korea and Singapore and presents three days of travel offerings, cultural activities, and programme highlights for the public.

The Korea Travel Fair is an annual event aimed at bringing the best of Korean tourism to Singapore. It serves as a one-stop platform to explore destinations, discover travel packages, and take part in hands-on cultural activities. This year’s fair will feature more than 20 exhibitors, including regional tourism organisations (RTOs) from Jeju, Busan, Gyeongsangnam-do, and Jeollanam-do, as well as major travel agents offering limited-time promotions.

The 2025 spotlight is on Korea’s southern regions – from Jeju’s natural beauty to the charm of Busan’s coastal cities. Visitors can discover each region at a dedicated RTO booth, featuring experiences, trails, and travel promotions. This year’s fair also highlights lesser-known destinations like Gyeongsangnam-do and Jeollanam-do:

- Gyeongsangnam-do, located on Korea’s southeast coast, is known for its serene mountain landscapes, rich temple heritage, and scenic port towns such as Namhae, Tongyeong and Geoje.

- Jeollanam-do, in the southwest, offers lush countryside, the famed Boseong Green Tea Fields, and food culture rooted in seasonal ingredients and fermentation. Key destinations include Yeosu, Mokpo and Sinan.

Participating travel agents include ASA Holidays, Chan Brothers Travel, CTC Travel, EU Holidays, Hong Thai Travel, Nam Ho Travel, SA Tours, and Super Travels. There will be exclusive travel packages on offer during the event. All bookings made during Korea Travel Fair 2025 will be entitled to one gift redemption.

Visitors can also explore interactive travel personality quizzes, DIY crafts, digital games, and curated workshops led by top Korean beauty and fashion brands.

Daily sessions at the K-Beauty and K-Fashion Zone feature skincare consultations by INNISFREE, makeup by BEAUTY PLAY and JUNGSAEMMOOL, fashion styling by REMODELME, and personal colour analysis by COLOURBYKIM.

The Passport Challenge encourages exploration and participation across the fair, with tasks designed to showcase key cultural and travel touchpoints. Those who complete all five tasks can redeem a blind box gift.

Daily lucky draws will also be held, with prizes including luggage, dining vouchers, and even return flight tickets to Korea for two.

The Opening Ceremony on the morning of 17 May will feature a welcome address by KTO, a cultural performance by the National Gugak Centre blending traditional Korean instruments with Singapore National Day Parade melodies, as well as a showcase by JUMP! Comic Martial Arts. There will also be appearances by Hallyu actor Yim Si-wan and K-drama original soundtrack (OST) singer PUNCH, who will perform K-drama OSTs during the ceremony.

Yim will share personal travel stories and recommendations, including insights into his hometown of Busan, favourite filming sites, food picks, and hobbies. during the event. He is known for his roles in Boyhood (2023), Run On (2020), Hell Is Other People (2019), and Misaeng: Incomplete Life (2014). He also appeared in Squid Game Season 2 and will return in the upcoming Squid Game Season 3, premiering in June 2025. Details

Korea Travel Fair 2025 runs from 16–18 May 2025
Plaza Singapura, Main Atrium and Alley
10:30 am to 9 pm.

View the programme schedule at https://www.tripzilla.sg/korea/event/korea-travel-fair-2025/schedule

Additional online promotions are also available at https://www.tripzilla.sg/korea

27 August 2022

Secrets of the Raknus Selu Trail delves into Hakka culture in Taiwan

Asian network KC Global Media has announced the world premiere of Secrets of the Raknus Selu Trail, an original multimedia production commissioned by the Hakka Affairs Council in Taiwan. The one-hour docutainment special chronicles the Hakka link with some of Taiwan’s most iconic exports and explore their cultural and industrial connections to the rest of the world.

Hosted by British photographer Chris Stowers and Taiwanese food and travel writer, Danny Wen Shi-Kai, the special takes viewers through Danny’s ancestral family’s journey through the forgotten paths of the Raknus Selu Trail, Taiwan's first long-distance trail network. In exploring the trail, which is 200 km long and covers the Taiwanese cities of Taoyuan, Hsinchu, Miaoli and Taichung, they uncover Hakka heritage, and reveal the culture’s impact on modern Taiwan.

Highlights of the docutainment special include visits to the iconic Sankeng Old Street in Taoyuan, a repository of Hakka culture and architecture; the starting point of the Raknus Selu Trail, which was used for transporting tea to the port; the Taiwan Black Tea company; the Lo Family House, traditional architecture which used to house early Hakka immigrants; and the Taiwan Thousand Miles Trail Association (TMI), which preserves Taiwan’s hiking trails. 

Secrets of the Raknus Selu Trail will also be featured as a four-part podcast series, hosted by Stowers and Wen. Guests include Radio DJ Andrew Zhan from Singapore’s UFM100.3 and Radio DJ Joseph Lin from Taiwan’s ICRT FM100. 

Episode 1 will feature Stowers and Wen sharing their experiences behind the scenes of the video, and what they learnt in their journey. In episode 2, the podcast covers the Hakka history and culture, with Wen sharing stories about his childhood. Episode 3 will discuss food, including some popular Hakka dishes, while episode 4 will explore the interesting flora and fauna found on the trail.

Derek Wong, VP & Head for Production & Creative for KC Global Media said, “Through this 'docutainment' special, we offer a wholistic learning experience which combines the elements of documentary film with an entertainment edge for our Asian audiences through the visual, online and audio space. We look forward to producing more of such meaningful projects in the future.” 

Source: KC Global Media. Scenes from the docutainment special Secrets of the Raknus Selu Trail.
Source: KC Global Media. Set in Taiwan, the docutainment special Secrets of the Raknus Selu Trail will premiere across AXN’s various platforms, including their YouTube channel, from September 27.

Details

The series will premiere on AXN’s channel on September 27 across Asia and will see a worldwide release on AXN Asia’s YouTube channel on September 28. The complementary four-part podcast series with the same title will air on September 27 across leading audio streaming platforms, such as Spotify, Apple Podcast, SPH Radio’s AWEDIO app, Astro Radio’s SYOK app, and International Community Radio Taipei (ICRT) Radio’s app.

Get updates from @AXNAsia on Facebook, Twitter, Instagram, YouTube, and TikTok.

23 May 2020

Emirates Literature Foundation launches digital discussion series

A new initiative to promote international cultural understanding through the power of books and words has been launched by the Emirates Literature Foundation. Literary Conversations Across Borders will use a digital platform to host Emirati writers and commentators in live discussions with high-profile experts from around the world on critical topics.

The series will launch on 30 May 2020 at 17:30 (GST) UAE/19:30 (IST) India, with the intellectual, writer and Indian politician Shashi Tharoor and HE Zaki Nusseibeh Minister of State: Office of Cultural Diplomacy, UAE who will debate how the events of 2020 will change the course of history, for better or worse.

Isobel Abulhoul, CEO and Trustee of the Emirates Literature Foundation said that the project was timely and that it was important to continue international dialogue during the current crisis. "Having these conversations across cultures strengthens our bonds and brings greater appreciation of the topics that affect us in the world today, no matter where we live," she said.

"We originally planned Literary Conversations Across Borders as a travelling project, taking Emirati authors and experts to book fairs and literary festivals throughout the world. World events have conspired to make that not possible at the moment, however we have grasped the initiative and re-designed it, with discussion being taken into the heart of people's homes, recognising the common concerns, joys and sorrows that affect us all, no matter who we are."

There will be eight sessions in this first series. An upcoming session will feature Jane Goodall, the scientist and environmentalist, in a discussion on 6 June with the UAE Minister of State for Food Security, HE Mariam bint Mohammed Al Mheiri.

On 13 June, Will science be the new religion in the post-pandemic world? will be the question posed in a debate by HE Omar Ghobash Assistant Minister, Office of Cultural Diplomacy and Lesley Hazleton, journalist and author of The First Muslim. They will consider whether an increased appreciation for the factual certainties of science, following the leading role it has played in tackling the pandemic, will have an impact on our belief systems based on the intangibles of faith, hope and trust.


The Emirates Literature Foundation is a not-for-profit organisation which supports and nurtures a love of literature in the UAE and the region through a programme of varied cultural initiatives. Established in 2013 by Royal Decree issued by HH Sheikh Mohammed Bin Rashid Al Maktoum, VP and PM of the UAE and Ruler of Dubai, the Foundation aims to foster a love for literature, with a focus on the Arabic language.

In line with the National Reading Policy of the UAE, the Foundation has implemented several long-term projects including the School Librarian of the Year Award and the annual Arabic Language Week, as well as conducting year-round student education programmes, book clubs and creative writing courses.

The Foundation is also the governing body of the Emirates Airline Festival of Literature, the UAE's premier literary festival, which will be held 2–6 February, 2021.

Details:

The sessions are free to watch but preregistration is required. After the event the session will be hosted on the Emirates Literature Foundation YouTube channel. Full details on the upcoming programme will be available on the Emirates Literature Foundation website

19 July 2019

The gap towards maximising digital transformation rewards

ServiceNow’s latest survey has uncovered that people want to work in new ways. Results show that Singapore business leaders are close to achieving digital maturity but still feel that there is a need to strengthen strategic planning at the organisation level to reap the full benefits of digital transformation.

The company polled 516 CIOs across 12 countries on digital transformation in the workplace. More than two thirds (76%) of CIOs in Singapore strongly believe in the value of digitised workflows in order to foster better collaboration and communication across various business functions (91%), and in improving overall organisational productivity (80%) and efficiency (76%).

However, respondents also cited that different business functions within their organisations had developed separate processes to digitising workflows because of a lack of strategic planning at a higher level with half of CIOs believing that their own organisations have successfully integrated technology across business functions for greater productivity.

Top limitations cited in adopting these new technological practices include

- Possession of inadequate technology (48% compared to a 41% global average),

- A shortage of skills (46%, same as the global average) and

- Ineffective collaboration among departments (46% compared to 37%, the global average).

“Companies which streamline digital workflows across the enterprise have proven to be more operationally efficient, resulting in greater success when attracting and retaining talent. Identifying the right processes for integration is essential in equipping employees with the right tools to continuously improve their work.

"CIOs need to ensure that digital culture starts from the top level and resonates down through the entire workforce,” said Mitch Young, SVP and GM, APJ, ServiceNow.

According to the study many CIOs in Singapore believe that close collaboration with C-suite executives is imperative in order to drive change within an organisation. Three quarters (76%) of respondents report they work closely with their CHRO (Chief Human Resource Officer) and CTO (Chief Talent Officer) to successfully implement new talent strategies. Another 59% have partnered up with their COO to action more streamlined workflows.

“Organisations across every industry are trying figure out how to embrace digital transformation and at the same time CIOs and CHROs are being asked to deliver great employee and customer experiences. In order to truly achieve a successful transformation journey, there must be a robust plan and unparalleled communication at the organisation level,” said Young.

More than half of the respondents in Singapore (53%) say that 60% of an organisation’s workflow are digitised today. In the next three years, the number is projected to grow to 89% with more emphasis on a standardised workflow for seamless management between departments.

Explore:

Read more about the report, Workflow Quarterly: The Leadership Issue

31 August 2018

Amara Sanctuary Resort Sentosa launches Amara Heritage Trail

Amara Sanctuary Resort Sentosa is introducing the inaugural Amara Heritage Trail, a tour to discover the nature, conservation and history hidden within the resort. 

Source: Amara Sanctury Resort Sentosa. The petai tree is one of 26 heritage trees in Sentosa protected by the Heritage Tree Scheme under Singapore’s National Parks Board. The seeds are edible.
Source: Amara Sanctury Resort Sentosa. The petai tree is one of 26 heritage trees in Sentosa protected by the Heritage Tree Scheme under Singapore’s National Parks Board. The seeds are edible.

Amara Sanctuary Resort Sentosa is built on 10 acres – where old British military barracks and air raid shelters stood. These building complexes were constructed sometime between 1897 and 1905; and upgraded in the 1920s. The resort’s owner, Albert Teo, worked with Miyake Masaki, a celebrated Japanese architect, to convert these old buildings into resort suites while preserving as much heritage and nature as possible. 

“It is an honour and privilege that our resort sits on this piece of valuable land. Not only are we part of the history, we are happy to be able to share this heritage with our guests. For the younger generation, they will have an opportunity to learn and appreciate how far Singapore has come,” said Dawn Teo, Senior VP, Amara Hotels & Resorts.

The Amara Heritage Trail is jointly organised by Amara Sanctuary Resort Sentosa and the Singapore Tourism Board and takes 60 minutes to complete on foot. Beginning at the resort’s main lobby, participants will be taken on a walk to explore heritage buildings. Along the way, guests will be asked to spot an artefact – a sole cleaner; relive the experience of hiding in a World War II air raid shelter; and identify some of the common herbs and spices used in local cuisine today, including the one that brought the British to Southeast Asia in the 1800s. 

The British Army-era sole cleaner at the Amara Sanctuary Resort Sentosa.
Source: Amara Sanctury Resort
Sentosa. The British Army-era sole
cleaner at the Amara Sanctuary
Resort Sentosa.
Other highlights include uncovering a heritage tree protected by the Singapore National Parks Board; sharing the story of Mrs Helen Hall; and learning the origins of the name “Sentosa” and some of the road names at Amara Sanctuary.

A specially curated colonial set menu, priced at S$38++ for two persons, has been created in conjunction with the launch of Amara Heritage Trail. Guests can taste common dishes enjoyed by British soldiers while Singapore was still a crown colony under the British administration.
Details:

The guided Heritage Trail will be opened to the public from 8 September 2018, and will occur every Saturday and Sunday at 10am. The one-hour guided tours will be priced at S$18 nett for the public; S$12 nett for in-house guests; and is complimentary for Amara Sanctuary Suite and Villa guests.

The trail can be self-guided as well. Download a copy of the self-guided trail brochure

View the Colonial Set Menu (PDF)

25 May 2018

Esplanade's Pesta Raya returns in July

The 17th edition of Esplanade – Theatres on the Bay’s Pesta Raya – Malay Festival of Arts returns from 12 to 15 July 2018, coinciding with the celebration of Hari Raya Aidilfitri, which extends till mid-July.

This year, the festival showcases the history of the Nusantara. Said Fezhah Maznan, Programmer, The Esplanade Company, “Pesta Raya has always celebrated the rich Malay heritage, arts and culture from the region, and through the festival we hope to continue forging meaningful relationships with the artists and our audiences. This year, we have works which highlight the Malay identity, with thoughtful re-imagining of Malay folklore and characters in our festival commission Alkesah, and fresh re-interpretations of the traditional keroncong and dikir barat.

"We also look back and pay tribute to the rich history of Malay dance in Singapore, with a special performance by Sriwana. We hope that many will find ways to connect with the diverse programmes at the festival and immerse themselves in some of the very best the Nusantara can offer.”

Dikir barat is a traditional musical form that involves singing in groups, while keroncong is both the name of a musical instrument and the name of an Indonesian musical style.

Festival commissions

• Written by Zulfadli Rashid and helmed by director Aidli Mosbit, this year’s festival commission Alkesah (“as the story goes”) re-imagines Malay folklore. Beloved characters such as Mat Jenin (the hopeless dreamer), Sang Kancil (the mouse deer), Pak Belalang (the village astrologer) and more, come together in Kampung Alkesah in a tale of misfortune, survival and secret love.

This is the first time the festival is commissioning a Malay pantomime at the Esplanade Theatre Studio, and will feature a stellar cast including Siti Khalijah Zainal, Jeff Catz, Siti Hajar Gani, Hatta Said and more. Alkesah will also see musical theatre veteran Elaine Chan and vocal coach Babes Conde working for the first time on a Malay production.

• Another first for the festival is a commission for a non-ticketed performance, GhaMuhyi: Melampaui Sempadan Ghazal, which will open the festival at the Esplanade Outdoor Theatre on 12 July. This collaboration melds contemporary ghazal by the ensemble GhaMuhyi from Malaysia and the work of Singapore traditional Malay music groups Sri Mahligai and Orkestra Sri Temasek.

• Dress vintage and joget during Pesta Berpesta at the Esplanade Annexe Plaza and Annexe Studio on 14 July with popular music from the ’60s to the ’80s. The Esplanade presents Tarakucha!, a kebaya jazz performance conceived by Malaysian singer and actor Sean Ghazi. The event will feature original compositions and songs by P Ramlee, Sudirman and Jimmy Boyle.

There will be free performances by NADA (comprising Singapore musicians Rizman Putra and Safuan Johari), who will present a contemporary visual arts and sound project that specialises in conjuring up lost eras through music, as well as Indonesian duo Iramamama who will be playing nostalgic tunes and quirky sounds, from funk to post-punk music from their home country.

• Singapore-born Kuala Lumpur-based singer-songwriter Imran Ajmain, who sang the hit Seribu Tahun, celebrates a decade in music with a concert, First 10 Years, at the Esplanade Recital Studio. He follows in his father Ahmad Husaini Ajmain’s footsteps, writing for an array of Singaporean and Malaysian musicians such as Taufik Batisah, Hady Mirza, SleeQ and more. Besides featuring songs from his upcoming album, Imran will also be singing hits from the ’70s and ’80s which his father penned.

• Inspired by Indonesian folklore, guitarist Addy Cradle has written an epic love saga about a prince and a warrior princess. In Transcendence – The Legend of Ryu Wuri at the Esplanade Recital Studio, Addy provides the instrumental backdrop to his dark tale where visual artist Muhammad Izdi and video artist Wu Jun Han add to this multidisciplinary performance. This will be the first of three volumes that features a fusion of rock and traditional music from China, Indonesia, Japan and India.

• Trace the history of Malay dance with Singapore’s oldest Malay performing arts group Sriwana as they present Lenggang Legenda: Merintis Sejarah on 13 July at the Esplanade Outdoor Theatre. The audience will be treated to iconic dances by the company that has produced the who’s who of the Singapore Malay dance scene, including Som Said, Osman Abd Hamid, Rizman Kassim and more.

The Classic Tarian Workshop by Sriwana on 14 July will be conducted by Ibu Surianty – also known as Mdm Lim Ah Choon – the Indonesian dance teacher who introduced repertoires of zapin and other Malay dances to Singapore in the ’60s.

• In their first-ever concert in Singapore, and fresh from performing on Astro’s singing competition Gegar Vaganza 2017, Dua Diva features ’80s pop diva Aishah and ’90s sensation Liza Hanim. With music direction by composer Datuk Ramli MS, who was also the judge of Gegar Vaganza, this one-night only performance will see them performing their own songs and also together.

• With 26 albums over the course of their 24-year career, Indonesian pop rock band GIGI returns to Singapore after seven years to perform classics such as 11 Januari, Terbang, Andai and Kepastian Yang Ku Tunggu. 

Screen capture from the Pesta Raya page on the Esplanade website, featuring theatre, music and dance acts as well as workshops.
Screen capture from the Pesta Raya page on the Esplanade website, featuring theatre, music and dance acts as well as workshops.

• Combining Javanese and Western music traditions keroncong is widely believed to be a genre brought to Indonesia by the Portuguese, evolving to become the ukulele, guitar, violin, flute, cello and bass ensemble that many recognise today. For Pesta Raya, Indonesian composer Pak Liliek Jasqee leads his ensemble to pay homage to the musical, cultural and language ties between Indonesia and Singapore in Titian Nada Persaudaraan. Singapore jazz artist Rudy Djoharnaen will also perform familiar tunes and new compositions with the ensemble.

• The festival continues to feature programmes for the young and their families, including Walang Weh, a storytelling performance by the musicians and vocalists of RENTA Collective, Dek Hujan, a performance by P7:1SMA that combines spoken word, dance and soundscapes, as well as Kemas (a Malay term that means “tidy up”), a series of roving site-specific movement pieces performed at venues around Esplanade that examines everyday cleaning rituals as engaging and spiritual chores.

• At the Esplanade Outdoor Theatre, Ceria! Konsert Si Cilik returns this year where Singapore’s Malay children's songs are celebrated in a concert featuring performers between the ages of 10 to 16.

• Over at Esplanade’s dedicated space for children and families—PIP’s PLAYbox—will feature interactive storytelling sessions by Dalifah Shahril, who will also share more about how the sarong plays a significant part of Malay culture and identity, as well as sessions where children will also be able to craft their own kuih-muih (desserts).

• Following previous editions of Dikir Battle, this year’s festival offers another interpretation of the traditional art form of dikir barat. Dikir-pella by JUARA will showcase for the first time, classic dikir songs sung acappella by some of the finest singers in the scene.

• Back by popular demand, Pasar Pesta! curated by online shopping hub LalooLalang returns with a wide range of traditional handicraft as well as specially curated food vendors selling “instagram-able” and unique Malay food items.

Details:

Tickets for Pesta Raya – Malay Festival of Arts 2018 are available from Esplanade’s Box Office at Mezzanine level (call +65 6828 8377), the SISTIC Hotline (call +65 6348 5555) and all SISTIC outlets.


13 May 2018

Delving into the heritage of Bukit Panjang, Singapore

Jane's Walk, the annual movement of free, citizen-led walking tours inspired by Jane Jacobs, a journalist, author, and activist whose work has influenced urban studies, sociology, and economics, has continued to receive enthusiastic support in Singapore. According to organisers, walks were getting sold out within hours of their unveiling.

The walks, held around Jacobs' birthday in early May, get people to tell stories about their communities, explore the city and connect with neighbours.

I attended a sold-out walk on May 5, At the Crossroads: Bukit Panjang, this year. The extremely knowledgeable walk guides Eisen (@Eisen), a senior history researcher and docent with a Singapore-based heritage consultancy, and Jinhua (@Kuekj), a translator and a former lifestyle writer and editor, spent three hours bringing the past, present and future of the neighbourhood to life. As @Eisen said, "Every building has a story and so has every road."

Bukit Panjang, so named after a nearby chain of low hills, has seen much change. The beginning of the walk centred the road junction around which Bukit Panjang village spung up over a hundred years ago. There were a number of stops here, including malls - the Hillion mall used to be a market - the terminus of the 42 km Downtown Line, and the Murugan Hill Temple, part of which evolution has been directed by dreams. Of major landmarks in Bukit Panjang, only the Esso Station has remained.

There would have been a village cinema nearby, Sin Wah Theatre. It had no air-conditioning, and a zinc roof and walls. Tickets used to cost just 50 cents. Bukit Panjang's entertainment centre was demolished in the 1980s.

The "MBS of Bukit Panjang", the Linear condominium's concept was designed by architect Kenzo Tange.
The "MBS of Bukit Panjang" and the longest condominium in Singapore, the Linear condominium's concept was designed by architect Kenzo Tange.  

The confluence of Upper Bukit Timah Road, Woodlands Road and Choa Chu Kang Road was called 10-mile junction, and one of the malls is still called Junction 10. There is also a Tennery condominium. @Eisen and @Kuekj shared that the "10th mile" is 10 miles away from from the General Post Office (now Fullerton Hotel), and would have been the way people located parts of Singapore in the past. Singapore moved to kilometres to measure road distances in the 1970s, our guides said.

There was also a roundabout nearby, Bukit Panjang Circus (roundabout), which lasted 23 years. It was converted into a traffic signal junction in 1980. In the 1960s, there were over 40 roundabouts, with no need for traffic lights or police.

Bukit Panjang is an integrated transport hub today, hosting not only the mass rapid transit but also a light rail system and a bus interchange. Trains used to run through the area as well.

The light rail transit (LRT) system was first announced in 1991, with the system launched in 1999. It is Singapore's first driverless and fully automated system. The train windows have privacy filters when passing Housing Development Board blocks.

What we learned:

There was a private road named Jalan Cheng Hwa, and a school also called Cheng Hwa in the area.
The original Cheng Hwa school had 1,600 enrolment in the late 1960s and early 1970s, which was high for Singapore in those days. It closed in 1985.

The name lives on as the Pinyinised Zhenghua, used in the names of a primary and a secondary school, as well as a nature park. There used to be a neighbourhood called Zhenghua but the public did not like the Pinyin name. In 1987 the HDB renamed Zhenghua New Town to Bukit Panjang New Town.

An overseas Chinese support association, 武裕平民互助会, with Lee Huat Motoring just behind the tree.
An overseas Chinese support association, 武裕平民互助会, with Lee Huat Motoring just behind the tree. 

We also stopped at 10 Mile Junction station. This LRT station is the only one that is air conditioned, has full height platform screen doors, fare gates on the same level as the platform, and only one track. It is also closing this year because of insufficient demand.
The flats in Bukit Panjang have blocks in varying heights to reflect the hilly terrain of the area.

Pang Sua Pond has the 2nd-largest floating wetlands in Singapore. @KuekJ discussed the origins of the name of the place. If "sua" is hill, then "pang" might mean "beside" or "fragrant"; "pang sua" could also mean "weighing sand" or "offloading sand", he said.

The adjoining Senja Cashew Community Club has an infinity pool and a jacuzzi. A number of roads are named after nuts in the neighbourhood, including the almond, hazel and chestnut.

Another area is within Bukit Panjang is known as Dairy Farm, after an actual air-conditioned dairy farm in the 1930s. We still have a Dairy Farm Group, which runs pharmacies, convenience stores and supermarkets in Asia.

The Bukit Panjang Post Office, marked by where the blue strip is, used to be a smaller, standalone building. Although it is now in Choa Chu Kang after constituency lines were redrawn, it is still known as Bukit Panjang Post Office.

This area used to have rubber plantations. There is no road sign, but road directories named this as Lorong Ah Thia.

In 1903, a train ran from Singapore to Thailand, passing by Bukit Panjang. The train company eventually became KTM (Keretapi Tanah Melayu). The train from Singapore to Malaysia closed for good in 2011. By 2011, the train crossing in Bukit Panjang was 108 years old.

The Rail Corridor Test Track features four different types of surfaces that could be used for a permanent track. The feedback site is down, @Kuekj said.

Details:

Look out for updates for 2019 in Singapore on the Jane's Walk Singapore Facebook page

Jane's Walks around the world can be found in a city near you.

Visit Bukit Panjang's website - the blog for this was last updated in 2013

Read the history-oriented Long and Winding Road blog about the 10th mile

Read recollections of 10th mile area in the past (Chinese)

Watch the video of the removal of a milestone marker by the National Heritage Board

Read the WorkSmart Asia blog post about 2018 Jane's Walks

Hashtag: #JanesWalkSG, #JanesWalkBPJ

16 January 2018

ARTWALK Little India mixes something old, and something new

Source: ARTWALK Little India. Izzad Radzali Shah, Festival, ARTWALK Little India 2018, LASALLE College of the Arts, 2018. Photo: Ng Wu Gang.
Source: ARTWALK Little India. Izzad Radzali Shah, Festival, ARTWALK Little India 2018, LASALLE College of the Arts, 2018. Photo: Ng Wu Gang.
 



Multidisciplinary arts festival ARTWALK Little India, jointly organised by LASALLE College of the Arts (LASALLE) and the Singapore Tourism Board (STB) with the support of Little India Shopkeepers and Heritage Association, returns for its fourth edition in January 2018 as part of Singapore Art Week. 

Themed Urban Mythology, the event marks the first of a renewed three-year partnership between STB and LASALLE, following a successful first three years between 2015 and 2017. Visitorship grew from 74,000 in 2015 to 140,000 visitors in 2017. 

In total, there are seven new murals, one visual art installation, and three performing artists at ARTWALK 2018, in addition to fringe activities. The programme spans 10 days and features new hands-on activities such as dress-a-puppet workshops and aura photography readings. 

This edition of ARTWALK sees several artists return to resurrect tales of Little India. Master storyteller Kamini Ramachandran, a participant since 2016, will be telling stories of the supernatural variety. Eunice Lim, artist of ARTWALK Little India murals Cattleland and Cattleland 2, is also back to honour Singapore’s longest-running Tamil bookstore, Siyamala Bookstore, which imports publications directly from India. Leow Wei Li, a student volunteer on Lim's mural in 2017, has decided to take part in this year’s ARTWALK together with Dominic Khoo to form art duo sobandwine. Their mural is an homage to the marigold flower in Indian culture.
To further draw out the collaborative nature of the festival, business owners within Little India have been invited to play a more engaged role in ARTWALK 2018. For the first time, corporate sponsors who have businesses within the area have jumped on board. These include main sponsor Corwin Holding, a joint venture between Lum Chang Holdings and a fund managed by LaSalle Investment Management Asia and developer of the new mixed development project at the former The Verge; plus co-sponsors Nippon Paint and Wanderlust Hotel. Four organisations also came on board as programme partners: Monster Day Tours, Indian Heritage Centre, Artgrain, and Audace Bar & Restaurant.

“We wanted to ensure that everyone involved felt like they have a stake within the neighbourhood and festival. Our end goal is all about celebrating the rich diversity and history of Little India, and with the personal investment of these individuals, many of whom came up with very creative ways to amplify the theme of this year’s ARTWALK; we believe 2018’s edition adds new layers to an already exciting and on-going dialogue of Little India,” said Hazelina Oh, a BA(Hons) Arts Management student of LASALLE. ARTWALK is managed by a team of seven BA(Hons) Arts Management students from LASALLE, with guidance from artist and LASALLE Senior Fellow, Milenko Prvacki. 

“ARTWALK Little India has played a key role in injecting vibrancy into the precinct and making Little India and its rich heritage relevant to a younger generation. It has also made the tourist experience in Little India more immersive,” said Kenneth Lim, Director, Cultural Precincts Development, STB.

Details:

ARTWALK Little India 2018 runs from 18–27 January 2018, with programmes and activities happening on Thursdays to Saturdays, 6pm – 9pm. 

The festival guide is available for download and can also be picked up at the Indian Heritage Centre or Clive Street POLI site.

Sign up for guided tours by Monster Day Tours

Self-guided tours can be accessed via the Locomole app on mobile devices, downloaded on both the App Store and Google Play store.